ADULT. & Planet B "Glass in the Trash b/w Release Me"

7"EP - 6.50
7"EP UPC: 783495117162
STREET DATE: 1/6/23
CAT#: 31G132
LABEL: Three One G

Justin Pearson (Dead Cross, Deaf Club, The Locust), Luke Henshaw (Sonido de la Frontera), Kevin Avery (Field Day, Retox) and Scott Osment (Deaf Club, Glassing, Volente Beach) formed Planet B with the shared purpose of creating music subversive in sound and sobering in message. Their music lays somewhere just out of reach of genre, with aesthetics rooted in hip hop, hardcore punk, turntablism, and 70s-80s horror movie scores. It is catchy, heavily percussive, and eerie all at once, much like the creative output of dark dance duo ADULT., a pair that seek to harness “the perverse aspects of the late '70s analog dystopian post-modernism.” These artists’ bodies of work mirror one another in form and function, and both “Release Me” and “Glass in The trash” encapsulates the ethos of both, allowing the duos’ similar mindsets to collide. Nicola Kuperus’s hypnotic vocals add an occult aura, mysteriously alluring and supernatural, pulsating and equally intense alongside Pearson’s aggressive style. Henshaw and Adam Lee Miller’s sampling, sequencing and synthesizing entangle and diverge seamlessly, providing dance-driven soundtracks fit for an apocalypse. Both tracks ebb and flow, pull and push, begs to be released and yet remains throbbing in your head long after it ends.

This record has been recorded by Adam Lee Miller and Luke Henshaw. Mixed and mastered by Brent Asbury at Measurable Harm.

Design and layout by The Black Moon Design.
Album photography by Becky DiGiglio.

TRACK LISTING:

1. Glass in the Trash
2. Release Me

MARKETING POINTS:

• Planet B features Justin Pearson (Dead Cross, Deaf Club, The Locust), Luke Henshaw (Sonido de la Frontera), Kevin Avery (Field Day, Retox) and Scott Osment (Deaf Club, Glassing, Volente Beach)

FOR FANS OF:
Industrial / Electro-clash

Fuck Money "Fuck Money"

CASSETTE - $8.00
CASSETTE UPC: 197187366125
STREET DATE: 11/18/22
CAT#:31G134
LABEL: Three One G

Fuck Money is an American space punk band based in Austin, TX. The group debuted in October 2021 consisting of members TaSzlin Trébuchet (vocals) Alton Jenkins (drums), Bill Kenny (lead guitar), and Jeremy Humphries (bass guitar). Their sound draws on punk rock, noise, industrial, extreme music and other transgressive subgenres. Fuck Money was formed in 2020 during the latter half of the COVID pandemic that year. After writing their first EP, they spent their time recording at Arroyo Audio. The band has created a reputation of performing high energy, sporadic DIY shows in liminal spaces throughout the dark corners of the city-- The Austin Chronicle noted how “the band’s churning feedback swirl is equal parts imposing and obfuscating – curiously serene in its refusal to give its sonic-aggression a clear human face.” Their vocalist is also known for donning an unpredictable and tantalizing look at each show.

Fuck Money’s debut self-titled EP on Three One G is six songs of unrelenting ‘space punk,’ drawing influence from punk, noise, industrial, and extreme music elements. Described as sounding like “a fully rabid Deerhoof,” the merciless & melodic stick-work of Alton Jenkins, paired with the visceral intensity of frontman TaSz Trébuchet, guides listeners down a path of challenging, awe-inspiring sonic behavior adorned with biting yet hyper-melodic guitar melodies. Death From Above’s Jesse F. Keeler aptly explains the EP simply as, “Feeling at all costs. If I was trying to explain this to someone with no reference, I’d say it was like a pomegranate. Challenging to get at the fruit, but worth the effort.”

TRACK LISTING:

1. Heartthrob
2. Chirp
3. Apollo
4. Demure
5. Fuck me up
6. Trolls

FOR FANS OF:
Melt Banana, The Mars Volta, DFA 1979

Microwaves "Discomfiture Atlas"

LP - $17.25
STREET DATE: 10/14/22
CAT#: 31G127
LABEL: Three One G

Of innumerable bands that traffic in dissonance, the musick of Pittsburgh, PA’s Microwaves shears clean and hot as an oxy-lance through the defenses of even the most cynical noise rock aficionado. In this iteration of the band, which has been in existence now for 20 years, core members John Roman (drums, vocals) and David Kuzy (guitar, vocals) round themselves out with 2006 alum bassist/vocalist Adam MacGregor on one side (“Pyroclast”), and founding bassist/vocalist Steve Moore (Film composer and member of Zombi, Lovelock, Miracle, and more) on the other (“Plasma”). Over the years, Microwaves continues to pick up the loose ends left by Voivod, MX-80, Snakefinger, and some of their own Pittsburgh-area “math-rock” contemporaries, twisting them into a Gordian knot that at once rages and confounds.

Microwaves’ newest LP, Discomfiture Atlas, is being released by Three One G Records on October 14th. This album features guest appearances by Eric Paul (Arab on Radar, Doomsday Student, Psychic Graveyard), Sarah Quintero (Spotlights), Rebecca Burchette (Exosus), and Todd Rittman (Dead Rider).

Who among us doesn’t long for a “do-over” of our wreck of recent history? Maybe it’s that attitude that accounts for the ascendancy of multiverses, parallel dimensions, the “Berenstain/Berenstein” debate, etc., in public imagination. Whatever the reason, contemplating other planes of existence is no longer exclusive to the hard sci-fi wonk set. Apropos of all the above, Microwaves manifests their own twin realities over the two sides of Discomfiture Atlas, its second album on San Diego’s vaunted Three One G records. Though distinct, both sides of the album, “Pyrocast” and “Plasma,” salt the band’s terse alloy of thrash metal, no-wave, brutal prog, noise-rock, and math rock with a hint of pop brevity, if not the melody to match.

Even at a curmudgeonly 20 years of age, (both versions of) Microwaves lean into the new material with the desperate enthusiasm of a 50-something peeling out in a midlife-crisis Corvette. Roman delivers his usual cyborg clatter, careening through odd meters and deconstructing rock drumming according to plans laid out by Beefheart and Devo. MacGregor complements with tortuous lines that invoke eastern melodic ideas at times, though they seethe with distortion and gurgle queasily through analog filtering. His vocal palette has widened to include an unhinged/unschooled falsetto and a Teutonic metal shriek, used to great effect on “Hammerspace” alongside Kuzy’s wavering, town-crier bark. Kuzy executes his trademark spindly atonalities with a draftsman’s precision, alternately ratcheting through all of the first-wave thrash-metal riffs he probably ever wanted to hear. Moore’s performances on side “Plasma” present a tighter and more reeled-in quality, focused on timbre and monolithic repetition over the flash of the past. In an all-time first for Microwaves, the standout “Your Dumb Guts” finds Moore serving up a vocal melody with stunning earworm potential.

TRACK LISTING:

1. The Last Planet
2. Regular Magic
3. Landline
4. Clinical Horizon
5. Our Flagship Product
6. Hammerspace
7. New Strategies
8. New Sharp Sticks
9. Your Dumb Guts
10. Omega Quandary
11. Smart Case
12. Discomfiture System
13. Technical Gibberish
14. Stench of Earth

MARKETING POINTS:

• Features guest appearances by Eric Paul (Arab on Radar, Doomsday Student, Psychic Graveyard), Sarah Quintero (Spotlights), Rebecca Burchette (Exosus), and Todd Rittman (Dead Rider)

FOR FANS OF:
The Locust, Arab On Radar

End Of The Line "End Of The Line"

LP - $17.25
LP UPC: 795044139396
STREET DATE: 9/16/22
CAT#: 31G124
LABEL: Three One G

End of the Line, the short-lived San Diego hardcore band that was in the right place at the right time. Existing during summer 1991, its membership boasted Matt Anderson, Scott Bartoloni and Aaron Montaigne of seminal 90s band Heroin, who, for the most part, had switched instruments. Further intensifying this lineup was leather-throated vocalist Cory Linstrum. A mutual appreciation of Bl’ast!, Faith, Void and SSD acted as its starting point, leading the band down the left hand path of chaotic punk and hardcore. EOTL played a dozen shows during its brief reign. Its teeth were cut appearing alongside Aspirin Feast, Say No More, Struggle, Undertow, Downcast, Media Children and Blatz (among others), before obtaining an opening slot on a Born Against/Rorschach show. The display of raw pandemonium unleashed that evening saw End of the Line’s buzz spread to the East Coast as these bands returned from tour. Rapidly a bidding war began with EOTL in the middle. Vermiform offered a seven-inch deal, while Ebullition dangled the opportunity of a full length. The band chose the full length. Having previously recorded three tracks, EOTL now had the opportunity to record the rest of its set for posterity. The band was aware it wouldn’t last much longer. Heroin would be releasing its own LP and leaving for tour, while Linstrum would relocate to the Bay Area to front John Henry West. It was during these recording dates that End of the Line concluded with its final appearance, a September 1991 show with Fugazi and Jawbreaker. Without an active band to promote the release, Ebullition’s version of the End of the Line LP wallowed in obscurity, where it slowly became a cult classic of early 90s hardcore. Let End of the Line crush your eardrums like an artillery shell, leaving you in the mud with the rats, lice and dogs!

This record has been remixed and remastered by Tim Green (Nation Of Ulysses/The Fucking Champs) at LOUDER studios. Pressed on limited edition color vinyl with a 3D cover and accompanying individually printed 3D glasses.

TRACK LISTING:

1. Trapped
2. End
3. Please
4. The Engine
5. Guilt
6. Past
7. Unnecessary
8. Burning Down
9. Sedative

MARKETING POINTS:

• 3D effect cover - comes with 3D glasses
• Features members of Heroin

FOR FANS OF: Heroin, Bl!ast, VOID

Netherlands “Kali Corvette”

LP - $17.25
LP UPC: 795044139426
STREET DATE: 9/9/22
CAT#: 31G122
LABEL: Three One G

Lead singer, multi-instrumentalist, compulsive creator, and unrepentant volume addict Timo Ellis (Yoko Ono, Cibo Matto, Sean Lennon, Joan As Police Woman, Spacehog) formed NETHERLANDS in 2010 in NYC. The band has since shared stages with Napalm Death, Melt Banana, Mutoid Man, Yob, Retox, Black Flag, Eyehategod, Flipper, Martin Rev, The Death Set, Moon Tooth, and Witch Mountain, among many others. Now with drummer David Keith (Rainbow) and synth-bassist Kelsey Warren (Blak Emoji), the band continues to reject restraint in favor of maximum impact: shredding chops, soaring vocals, and maddening hooks. Netherlands crushes decades' worth of bombast into psychotropic nuggets of evil sludge-rock bliss, with nods to the dirtbag rituals of 70’s acid rock and punk, the grandeur of 80’s arena rock, and the guttural intensity of 00’s posthardcore. KALI CORVETTE is Netherlands’ 6th full LP, and features all the hallmarks of Ellis’ work; blistering guitar heroics, primal drumming, and searing caterwauls. However KALI CORVETTE veers bracingly into the realm of electro-noise-punk, ratcheting up the intensity into a uniquely weaponized form of rock that reaches towards high art. The record features guest performances by Gibby Haynes (Butthole Surfers), Michael Kubacki (Car Bomb), Tim Dahl (Lydia Lunch Retrovirus, Child Abuse), Daisy Press (Steve Reich) and Suzanne Von Aichinger (The Suzannes.) KALI CORVETTE is another chapter in the book of a band that’s consistently released heavy music on its own terms and with its own undeniable personality. There’s a reason contemporary heavy luminaries like Joe Duplantier of Gojira and Bill Kelliher of Mastodon count themselves amongst Netherlands’ biggest fans, and KALI COREVETTE’s 7 tracks effortlessly demonstrate NETHrock’s potency once again.

TRACK LISTING:

1. NATURAPHOBIA
2. D.T.A.
3. ARE YOU LOOKING FOR ME?
4. SO SICK
5. THERE'S A GLITCH IN HUMAN CONSCIOUSNESS
6. FURY MALL
7. KALI CORVETTE

MARKETING POINTS:

• 6th Full Length LP
• Features guest performances by Gibby Haynes (Butthole Surfers), Michael Kubacki (Car Bomb), Tim Dahl (Lydia Lunch Retrovirus, Child Abuse), Daisy Press (Steve Reich) and Suzanne Von Aichinger (The Suzannes.)
• Shared stages with Napalm Death, Melt Banana, Mutoid Man, Yob, Retox, Black Flag, Eyehategod, Flipper, Martin Rev, The Death Set, Moon Tooth, and Witch Mountain, among many others

FOR FANS OF: Melvins, Torche, Big Business

Official Site

Haunted Horses “The Worst Has Finally Happened”

LP - $17.25
LP UPC: 795044139419
STREET DATE: 7/22/22
CAT#: 31G126
LABEL: Three One G

Haunted Horses is an industrial-punk trio hailing from Seattle, WA. Their sound is thunderous and chaotic, utilizing a wall of noise techniques through an onslaught of keys, guitars and drums. Myke Pelly's off kilter drumming and Colin Dawson's architectural noise structures create jittery post-punk that is both upbeat and gloomy. Most recently, the band enlisted Seattle-based bassist Brian McClelland of Filth is Eternal and He Whose Ox is Gored, creating an added level of heavy rhythmic noise that not only contributes an exciting dynamic layer to the album sonically, but to their already-captivating live performance as well. The bleak vocals are persistently ominous in a seductive way, conjuring up the nightmarish aura of a dissonant horror-film soundtrack. With reviewers like Anthony Fantano (Needle Drop) likening their previous work to legendary bands such as Swans, Bauhaus, and Killing Joke, Haunted Horses carry on the tradition of noise that can terrorize as well as entrance, oftentimes simultaneously. This is evident in the list of hard-hitting contemporaries they’ve shared the stage and toured with, including Lingua Ignota, Portrayal of Guilt, A Place to Bury Strangers, Bambara, and Boy Harsher. Fans of Einstürzende Neubauten, Swans, Girl Band, Death Grips, The Soft Moon, Street Sects, Ho99o9, and Uniform will find Haunted Horses a welcome addition to their lexicon.

The Worst Has Finally Happened continues in the band’s approach to music as a battering ram into the brain, now as a trio with Myke Pelly, Colin Dawson, Brian McClelland (Filth is Eternal, He Whose Ox is Gored). Sounds sway from mechanical heartbeat thumps and the delay-drenched beeping of echolocation radar devices tracking down a potential victim in “Swarms,” to something resembling an alarm signifying Chernobyl-strength a nuclear meltdown in “Thorns.” Everything feels perfectly orchestrated to leave the listener on edge. It’s hard to tell if Haunted Horses’ music is meant for the hunter or the hunted, but either way, it holds on tight, sinks its claws in and doesn’t let up.

TRACK LISTING:

1. House of the World to Come
2. The Garden
3. Pig
4. Window Sung
5. The Worst
6. Swarms
7. Thorns
8. Golden Stairs
9. Cold Machine
10. Severed Circle

MARKETING POINTS:

• Touring history with Lingua Ignota, Portrayal of Guilt, A Place to Bury Strangers, Bambara, and Boy Harsher

FOR FANS OF:
Fans of Einstürzende Neubauten, Swans, Girl Band, Death Grips, The Soft Moon, Street Sects, Ho99o9, & Uniform

Deaf Club “Bad Songs Forever”

7"EP - $6.00
7"EP UPC: 795044139389
STREET DATE: 5/6/22
CAT #: 31G123
LABEL:Three One G

Having just released their debut LP, “Productive Disruption,” in January of 2022, Deaf Club wasted no time in the relentless pursuit of perfecting sci fi crust punk from the future; the result is their newest EP, “BAD SONGS FOREVER.“ Made up of 3 original tracks as well as a Pixies cover of “Broken Face,” the band claws and spews its way into a heightened state of controlled chaos, taking time to more deliberately build, layer and pace each track in ways they previously hadn’t. As their shared style comes increasingly into laser-focus with each new song, Deaf Club continues to meld d-beat and thrash sensibilities with unhinged battery acid buzzes, disgruntled rhythms, and tongue in cheek lyrics spit cynical and sharp.

TRACK LISTING:

1. If You Eat a Rat, It Might Taste Good
2. But Does It Fart?
3. Broken Face
4. Ride With Cops, Shoot With Robbers

MARKETING POINTS:

• Features Justin Pearson’s (The Locust, Dead Cross, Satanic Planet), Tommy Meehan (The Manx, Sweatband Records co-founder), Brian Amalfitano (ACxDC), Scott Osment (Weak Flesh, Planet B), Jason Klein (Run With the Hunted)

FOR FANS OF:
The Locust, Retox, Dead Cross

Instagram | Facebook

The Locust "Safety Second, Body Last"

12"EP - $14.00
12"EP UPC: 795044139402
STREET DATE: 4/29/22
CAT #: 31G125
LABEL: Three One G

2005 saw the Ipecac Recordings/Radio Surgery release of The Locust’s “Safety Second, Body Last,” the follow-up EP to their acclaimed album, “Plague Soundscapes.” The concept for SSBL has been explained as one 10-minute song split into two tracks, each of which is further dissected into separate movements. The result is a timeless sci-fi onslaught described in reviews as an “elegant mind-fuck of organized noise” and “a fascinating contrast full of viciously dadaist musical fragments and surreal, perceptive lyrics.”

The now well-recognized cover art is a piece titled “Treatment” by Neil Burke, a member of likeminded experimental band Men’s Recovery Project.

TRACK LISTING:

1. Armless and Overactive
   Who's Handling the Population Paste?
   Invented Organs
   New Tongue Sweepstakes
   Consenting Abscess (Part 1)
   Consenting Abscess (Part 2)

2. One Decent Leg
   Movement Across the Membrane
   Oscillating Eyes
   Immune System Overtime
   Hairy Mouth

MARKETING POINTS:

FOR FANS OF:
Swing Kids, Some Girls, Head Wound City, Holy Molar, Retox, Le Butcherettes

Instagram | Facebook

Various Artists “Release The Bats: The Birthday Party as Heard Through the Meat Grinder of Three One G”

2xLP - $22.50
LP UPC: 787269113992
STREET DATE: 3/25/22
CAT #: 31G034
LABEL: Three One G

Spawned from the Cave that set the standard for mischievous, perverse, raucous punk music in the form of Australian band The Birthday Party, Three One G Records has set out to pay tribute with Release the Bats. This album is a compilation of covers by varied acts from Cattle Decapitation to Some Girls to Ssion, each undoubtedly influenced in one way or another by The Birthday Party’s wildly entwined goth-punk-jazz-blues sensibilities. Hidden in Das Oath’s feedback and Rah Bras’ unsettling synth lines lie curious, well-written, dark stories, and it’s fascinating to hear them told through the collective distorted echo of the Three One G family. Featuring artwork by Mark McCoy.

TRACK LISTING:

1. Plot To Blow Up The Eiffel Tower – Pleasure Heads Must Burn
2. Das Oath – Friend Catcher
3. T Cells – Deep In The Woods
4. Cattle Decapitation – Sonny’s Burning
5. Year Future – Blundertown
6. SSion – Nick The Stripper
7. Ex Models – Mutiny In Heaven
8. Les Georges Leningrad – Riddle House
9. Rah Bras – Mr. Clarinet
10. Melt-Banana – Faint Heart
11. The Chinese Stars – The Plague
12. Celebration – King Ink
13. Kill Me Tomorrow – Junkyard
14. Get Hustle – A Dead Song
15. Numbers – Cry
16. Error – Wild World
17. Daughters – Marry Me (Lie Lie)
18. Some Girls – Release The Bats

MARKETING POINTS:

• Originally released in 2006, the vinyl has been out of print for many years.
• Limited to 500 on color vinyl

FOR FANS OF:
Nick Cave, The Birthday Party