Damien Done "To Night"

2x7"EP - $14.00
STREET DATE: 8/5/22
CAT#: MOM065v
LABEL: Mind Over Matter

Damien Done is a post-punk/alternative rock outfit from Damien Moyal of 90s/00s hardcore punk bands As Friends Rust, Shai Hulud, Morning Again and Culture. The Detroit-based band, originally founded as a solo project in Miami, Florida, has released one album (Charm Offensive, 2018) and several EPs, and has toured both domestically and abroad.

TRACK LISTING:

1. Thirty Pews
2. To Night
3. A Feast For Every Beast
4. Shine On

MARKETING POINTS:

• Mixed by James Paul Wisner (Paramore, Underoath, Dashboard Confessional)
• Includes bonus track, a cover of The House of Love's "Shine On"
• Packaged inside of a totally unique, hand-crafted gatefold-style jacket

FOR FANS OF:
Billy Idol, Wovenhand, Beastmilk/Grave Pleasures, The Jesus and Mary Chain

Instagram | Facebook

Her Head's On Fire "College Rock and Clove Cigarettes"

LP - $14.65 / CASSETTE - $7.00
LP UPC: 047338063277
CD UPC: 783495979722
STREET DATE: 7/29/22
CAT#: IOD029
LABEL: Iodine Recordings

Indie rock, of all stripes, is far too long in the tooth—and the classic back catalogs far too crowded—for half measures: If we are to have new “left of the dial” songs in an age where the wry cleverness and heart-on-sleeve (or heart-patch-on-messenger-bag?) vulnerability of yore have listed into a kind of sardonic nihilism, then those songs must be full of that strange alchemic mix of chords and melodies that make hearts flutter and souls soar—they must be incandescent; bright flares that light us up and burn away the pretenses and bullshit the world circa 2022 seems determined to encase us in.

Enter Her Head’s On Fire—a fiery, enlivening quartet with an unfuckwithable pedigree (Saves the Day, Garrison, Small Brown Bike, The Bomb, Casket Lottery, Gay for Johnny Depp) that serves as the DNA for a ten track genetic splicing debut full-length, College Rock & Clove Cigarettes that is not only simultaneously familiar and transcendent, but also very, very good.

Like, cry-on-first-listen, sway-enraptured-on-your-tippy-toes, make-a-mixtape-and-slip-it-into-your-crush’s-backpack good.

If you ever thrilled to the anthems of Samiam, pounded the steering wheel to Superchunk, reveled in the waves of Dinosaur Jr’s melodic fuzz, gladly went over to the Farside, got down to some Elvis Costello, or can remember where you were the first time you heard Sense Field…well, then Her Head’s On Fire’s heart-seeking post-post-hardcore, “emo”tive rock stemwinders will be the best thing to happen to you in a very long time.

Building on the promise of an auspicious bow via last year’s well-received split with living legend J. Robbins, College Rock & Clove Cigarettes is a beguiling and powerful statement: Her Head’s On Fire has your number and a container of clean sonic kerosine. All you have to do is follow the light, open up to the real, and find your way back to the messy, anthem-inspiring glory of love once again.

Her Head’s On Fire is:
Sid Jagger (Garrison, Gay for Johnny Depp) vocals
Jeff Dean (The Bomb) guitar
Rodriogo Palma (Saves the Day) bass
Jeff Gensterblum (Small Brown Bike, The Casket Lottery) drums

TRACK LISTING:

1. Burn
2. Call Me Up
3. Lexicon of Doubt
4. Common Shame
5. Pristine Heart
6. Rising Tide
7. So Beautiful
8. Matchsticks
9. Sugar Lips
10. Are We Enough

MARKETING POINTS:

• Debut LP by Her Head’s On Fire
• Featuring members of Saves the Day, Garrison, Small Brown Bike, and The Casket Lottery
• Produced by Jeff Dean (Samiam, Braid)
• Full PR Campaign by Atom Splitter PR
• Shows and Tours planned for 2022 (US / Europe)

FOR FANS OF:
Superchunk, Samiam, Jawbreaker, Lawrence Arms, and Farside

Instagram | Facebook

Neurosis "Given To The Rising"

2x12"LP - $17.25
2xLP UPC: 658457105016
STREET DATE: 7/29/22
CAT#: NR050
LABEL: Neurot

Given To The Rising is like being submerged in an isolation tank -- it's enveloping, subverting the senses with surreal visions we'd swear were our own, cleverly jarring and disorienting consciousness beyond any footing in reality. As any diehard Neurosis fan will tell you, there's a moment with every new record and live show at which the band will stop as if the world has frozen in position, then suddenly kick into the primordial wail that we've all come to recognize as the "Neurosis note" that forces the listener's head and shoulders to lurch and sway almost uncontrollably. Given To The Rising is Neurosis at its most captivating and hypnotic. Put simply, the album is some of the band's most raw and immediate material to date, but it is also more complexly orchestrated and richly thickened with psych-damaged overtones. Given To The Rising is more than a just a powerful collection of songs -- it's more like a religious experience. While personal epiphanies are repeatedly told by those who've been converted by Neurosis' sensory overloading live show as well as its recordings, there's a hypnotic quality to this album that takes hold from the opening guitar squall of the title track. Once again recording with revered engineer and longtime friend Steve Albini (as the band has for five previous albums,The Eye of Every Storm in 2004, A Sun That Never Sets in 2001, Sovereign in 2000 and Times of Grace in 1999), Given To The Rising bears the band's signature crushing heft and cathartic force. However, it also finds Neurosis delving into increasingly psychedelic effects and twisted, inventive song structures. Much of the dramatic lull of recent works is forgone in favor of full-on attack. While it's reflective of the band's signature aggressive pummeling, Given To The Rising is not just an exercise in Wagnerian thunder. Neurosis instead takes an exploration into psychoactive prog-rock and eviscerating symphonic thud that moves well beyond anything that might fit snugly within a particular genre. It's as though the band has taken cues from such psych-noise predecessors as Hawkwind, Faust, Skullflower and Chrome, merged those elements with the sickening frequency assault of Throbbing Gristle and then submerged them within Neurosis' saturated sonic strata. "We stand encircled by wing and fire" growls vocalist/guitarist Scott Kelly, opening the album and its title track, the band's heels already dug deep in the dirt, blasting forth in all directions at once. It's as though we join the battle already in progress, and by all means we have -- Neurosis has fought hard to maintain its sovereignty not just in the music business, but as a boundlessly creative entity consisting of Kelly, guitarist/vocalist Steve Von Till, bassist/vocalist Dave Edwardson, drummer Jason Roeder and keyboardist Noah Landis. The band brought keyboards to heavy punk. It brought experimental noise to metal. It merged antique droning folk with Black Flag's desperation. All the while, forging onward toward new means to explore the infinite realms of catharsis and self-transformation, while myriad bands simply follow in its wake. The guitars grunt and groan like sinister beasts on "Fear and Sickness", propelled by Roeder's clever rhythmic shifts delivered by thunderous, rollicking tom beats that lunge into half-time thumping kick drum and snare blasts. "To The Wind" opens with a deceptively delicate, albeit forlorn melody unlike anything we've come to expect of the band, which is abruptly choked off at the 2-minute mark by one of the most brutally sudden shifts of mood and tempo. A slight, barely audible growl hints at the change to come, but when a wall of chiming bent-notes and drop-tuned sludge guitars, paired with a stomping beat erupt over the melody, it's truly monolithic in impact. Edwardson slings heavy low-end distortion over the top with howling bent notes adding powerful harmonic overtones. But, perhaps the highlight of the song comes during a brief respite, when Kelly lets out an astounding 29-second-long throat-curdling scream at the song's climax. Von Till's rasping whisper sounds downright haunting over the rhythmic churn and Landis' syrupy tones on "Hidden Faces" prove ample evidence to the band's latest evolutionary step. "Through eyes of the wheel I will see you coming," Von Till howls, the band erupting in consensus.

TRACK LISTING:

1. Given To The Rising
2. Fear And Sickness
3. To The Wind
4. At The End Of The Road
5. Shadow
6. Hidden Faces
7. Water Is Not Enough
8. Distill (Watching The Swarm)
9. Nine
10. Origin

MARKETING POINTS:

• Packaged in a gatefold jacket and includes download code

Instagram | Facebook

Pummel "Headcase"

CASSETTE - $7.00
STREET DATE: 7/29/22
CAT#: SDR083
LABEL: Sunday Drive

Boston hardcore (BHC) is a region commonly noted when reading or discussing hardcore, and with good reason. Important bands in the 80's like SSD, DYS, Slapshot, Jerry's Kids and more all made a huge impact on hardcore and the sound to come decades later. Pummel have this sound embedded in their DNA, and with the mix of the new wave of 00s BHC from bands like Mental, Stop and Think, etc. Pummel are currently carrying the torch for their hometown. Their 2021 self-released EP, "Next In Line" began to show a glimpse of Pummel's next evolution as a band. While maintaining groove, Pummel began to sprinkle in metallic leads, tempo switches and more. A year later, the band is back with the single, "Headcase"—their first release on Sunday Drive Records. "Headcase" further pushes the sound from their last release, overall making this a menacing single. From little moments like the leads in the beginning to the hi-hat break in the middle, Pummel is at their best, creating something fun, new and interesting.

TRACK LISTING:

1. Headcase

MARKETING POINTS:

• Produced by Will Killingsworth (Orchid)

FOR FANS OF:
Outburst, Stop and Think, Rampage

Instagram | Twitter

Bastions “Majestic Desolation”

LP - $16.60 / CD - $8.00
STREET DATE: 7/29/22
CAT#: CRR135
LABEL: Church Road

Seven years on from playing their final note onstage and unexpectedly ceasing all activity, seminal UK alternative hardcore band BASTIONS have announced their return. Eleven years on from the North Wales band’s revered debut album, Hospital Corners, BASTIONS will be releasing their second proper full-length , Majestic Desolation, via Church Road Records on July 29.

Privately reuniting in 2020, the quartet - composed of Jamie Burne (vocals), Jamie McDonald (guitar), Gareth Davies (bass) and Kieran Brindley (drums) - began reconnecting and re-envisioning what a future could look like with BASTIONS in it, a future that held respect for their past efforts without bending to misguided nostalgia or revised history. Discontent with simply resting on their discography's laurels, Majestic Desolation’s eight tracks are the result of a dark rekindling. Returning to The Ranch Studios in Southampton, UK to record with long-time collaborator and old friend Lewis Johns in July 2021, Majestic Desolation is proof that time dulls nothing.

As visceral as they ever were, BASTIONS’ trademark darkened hardcore and unnerving melodicism still convulses and writhes with an air of disquietude. Lamentations of lost time, profound emptiness and grief permeate throughout the entirety of Majestic Desolation’s 25 minutes. No more earnestly is this showcased than the one-two punch of Slithering into Coalfields - with Burne’s howls of “All this loss, all these years” on the latter. Majestic Desolation is less a comeback record as much as it is a continuation of all that made BASTIONS a highly influential UK act in the first place, taking personal hells and finding the universality within them against the backdrop of a sonically ceaseless push and pull.

BASTIONS in 2022 remain as perceptive towards all that leaves us desolate and hurting, with Majestic Desolation knowing when to swing and when to swim in the malaise of it all. Seven years on from that final strangled note at iconic London venue The Black Heart, BASTIONS are back and that sinking feeling of desolation is here to stay.

TRACK LISTING:

1. Haar
2. A Broken Crown
3. Acres of Love
4. Heavy Hearts
5. Slithering
6. Coalfields
7. Darker Paths
8. A Spiteful Reign

MARKETING POINTS:

• Produced by Lewis Johns (Rolo Tomassi, Employed To Serve)

FOR FANS OF:
Modern Life Is War, Touché Amoré

Instagram | Facebook | Twitter

Nathan Gray & The Iron Roses "Rebel Songs"

LP - $15.30 / CD - $8.00 / CASSETTE - $7.00
LP UPC: 603111751610
CD UPC: 603111751641
CASSETTE UPC: 603111751627
STREET DATE: 7/22/22
CAT #: IOD032
LABEL: Iodine Recordings

NOT AVAILABLE TO EUROPEAN ACCOUNTS

Gray’s third solo album Rebel Songs brings him closer to his own truth as both a passionate songwriter and the vulnerable and exposed human that he’s become. Once hiding behind the aggressive and in-your-face façade as frontman of hardcore stalwarts BoySetsFire, Gray’s personal reckoning came with his confrontation of his own painful and past – he couldn’t just keep pummeling his repressed emotions into submission… he had to slow down, dissect and examine it. A victim of sexual assault at the hands of the church (which he is rather open about on stage and in song), he once sublimated the bubbling-under pain and anger into hardcore’s demands for speed and fury. These days, however, he battles his repressed demons by relaying his experience to his audience in a more relatable and therapeutic manner – though indie rock. “In my own journey through healing, I started to understand that no one can influence change in the world without turning that inward to heal themselves first. As such, what we do in our own lives influences our political leanings and world view.”

Rebel Songs is Gray’s reaction to not only his own personal past but the cultural and political unrest that infects this country and, on a larger scale, the world. “I think the impetus for the sound and style of Rebel Songs was to get back to my roots on what got me into hardcore in the first place, which was pure and simple punk rock,” he says of the album’s inspiration. “Coming back to that place while redefining myself through my roots was freeing. I grew up listening to The Clash, The Ramones, Fat Boys, RUN DMC, Black Flag and NWA. These artists defined and shaped me. They were there for me during the good times and the horrific times. Taking those inspirations with me into this place of my life and career just make sense.”

Melding all those music reference points into a 12-track album of fierce and passionate anthems, Gray and his band The Iron Roses takes all the experiences of their collective lives and coalesces it into melting pot of inclusivity. “People like me (white men) have to set an example,” he says of his very conscious decision to make his band as culturally and racially inclusive as possible. “How would people in the audience experience the show if they didn’t feel represented? The Iron Roses include a trans woman, a black man, a mother of two, pansexuals, bisexuals, CIS straight folks, etc. We represent many, because it is our duty to. It's important to me to create a space to allow others to express themselves on stage by using my own privilege. I'd be full of shit if I didn’t back my words. I see no point in talking about inclusion and diversity, about Black Lives Matter and LGBTQ rights and women’s rights if I didn't back it up. It would be a mockery.”

This blend creates a fascinating and organic brew of the different corners of rock that he imbues in his album. From the Elvis Costello-esque New Wave of “Reckoning” to the anthemic and earnest title track “Rebel Songs” (which features friend and Rise Against frontman Tim McIlrath) to balladic album closer “That Said,” Rebel Songs covers a lot of ground – musically and thematically. The reggae and hiphop-infused “Look Alive” was new ground for him. “It was the first time I ever tried adding hip-hop influences into my body of work, which was terrifying and invigorating all at once,” he explains. “It presented a perfect opportunity to add to the mix my friend Eugenius who had recently sampled one of my old band’s songs. It’s the first song on the album that shows what an insane mix of influences the rest of this album will bring - reggae, punk, hip hop… Fuck, it’s like a ‘buckle up’ moment.”

But Rebel Songs isn’t a preachy album. It admits to being adrift in the feeling of aimless direction and asks for help as well. He tackles this rudderless abandon on the openly unanchored song “Lost.” “This was the first purely personal song on the album which was a huge shift from the albums prior to this,” he confesses. “It speaks to something people don’t acknowledge when speaking on social issues… It's okay to admit that you are also lost in the world, but that you are doing the best you can. It’s a personal experience we can all attach to. It’s important to hear this on an album that is socially and politically driven - being vulnerable to say ‘this is what I see, and I know I don’t have all the solutions and I’m not always right but I am doing what I can to be better. We should all do that.”

TRACK LISTING:

1. The Reckoning
2. Look Alive
3. Rebel Songs
4. Radio Silence
5. Fired Up
6. Capitol Stairs
7. No Pasaran
8. Million
9. Don't Wait Up
10. Lost
11. Grace
12. That Said

MARKETING POINTS:

• Limited US Pressing on Iodine Recordings
• First single featuring Timothy McIlrath, vocalist of Rise Against
• Solo project of Boysetsfire singer
• US tour in February/March 2022
• Festival Appearances planned for 2022

FOR FANS OF:
Boysetsfire, Nathan Gray, Rise Against

Instagram | Facebook | Twitter

Kill Your Idols / Rule Them All “Split”

7"EP - $7.00
7"EP UPC: 843563142189
STREET DATE: 7/22/22
CAT #: FSR60
LABEL: Flatspot

Kill Your Idols formed in 1995 by vocalist Andy West and guitarist Gary Bennett, listening to hardcore and dreaming of recording a 7” and opening for their favorite bands like 7 Seconds and Sick Of It All. That dream became reality faster than they could have ever imagined as they ended up doing all that, and then some, spending 1997 through 2006 touring the United States, Europe, and even Asia at a Black Flag pace. As well as releasing scores of full length albums and EPs, including splits with Fisticuffs, Full Speed Ahead, Nerve Agents, Voorhees, Good Riddance, Crime in Stereo, Modern Life is War, Poison Idea, and yes, 7 Seconds. Then, in 2007 the band called it quits with members moving on to other projects, but not before playing several legendary final shows. In 2013, the band rose from the dead, performing a now famous “welcome back KYI” set at Black N Blue Bowl, at a sold out Webster Hall in NYC. Ever since, the band knew they belonged on the stage, and have continued to play shows to their loyal fans as well as reaching a new, younger audience. Hardcore as ever, the band plans on writing, recording, and performing whenever possible. Never say die.

Rule Them All was created with one goal in mind: deliver gimmick-free hardcore that speaks truth to power. The band was formed in 2017 by Richie Armour and Jon Gusman, who have since completed the lineup with members of diverse experience that spans a wide range of musical disciplines. Their carefully constructed and deliberately paced songs call to mind both the emotional intelligence of classic D.C. hardcore and the raw aggression of the Long Island scene they call home. The result is a confrontational blend of vintage and modern styles that force the listener to reckon with their own notions of what it means to be independent in today’s fractured society. Sonically, Rule Them Hell expertly synchronize hard-hitting drums with harmonic riffs to form an unshakeable foundation over which the message in the vocals can be easily heard and understood crystal clear. This shines on their latest EP, Dreams About… and upcoming split with fellow Long Island punk act Kill Your Idols (both released by Flatspot Records). The band's potent blend of hardcore has lead way to an evergrowing fanbase and sharing the stage with acts like Terror, Turnstile, Gorilla Biscuits, and more.

TRACK LISTING:

1. Kill Your Idols - Tragic
2. Kill Your Idols - Simple, Short, & Fast
3. Rule Them All - Uneasy Faith
4. Rule Them All - The Temptation

MARKETING POINTS:

• Split 7” from two of the best bands in Long Island Hardcore
• Can appeal to not only the Hardcore crowd but also Punk and Metal demographics too
• First new Kill Your Idols music in over 15 years
• 2 brand new tracks from each band
• Mastered by Will Killingsworth @ Dead Air Studios (Mental, Think I Care, Stop & Think)

FOR FANS OF:
Long Island Hardcore, New York Hardcore, Hardcore Punk

KILL YOUR IDOLS:
Instagram | Twitter

RULE THEM ALL:
Instagram

Haunted Horses “The Worst Has Finally Happened”

LP - $17.25
LP UPC: 795044139419
STREET DATE: 7/22/22
CAT#: 31G126
LABEL: Three One G

Haunted Horses is an industrial-punk trio hailing from Seattle, WA. Their sound is thunderous and chaotic, utilizing a wall of noise techniques through an onslaught of keys, guitars and drums. Myke Pelly's off kilter drumming and Colin Dawson's architectural noise structures create jittery post-punk that is both upbeat and gloomy. Most recently, the band enlisted Seattle-based bassist Brian McClelland of Filth is Eternal and He Whose Ox is Gored, creating an added level of heavy rhythmic noise that not only contributes an exciting dynamic layer to the album sonically, but to their already-captivating live performance as well. The bleak vocals are persistently ominous in a seductive way, conjuring up the nightmarish aura of a dissonant horror-film soundtrack. With reviewers like Anthony Fantano (Needle Drop) likening their previous work to legendary bands such as Swans, Bauhaus, and Killing Joke, Haunted Horses carry on the tradition of noise that can terrorize as well as entrance, oftentimes simultaneously. This is evident in the list of hard-hitting contemporaries they’ve shared the stage and toured with, including Lingua Ignota, Portrayal of Guilt, A Place to Bury Strangers, Bambara, and Boy Harsher. Fans of Einstürzende Neubauten, Swans, Girl Band, Death Grips, The Soft Moon, Street Sects, Ho99o9, and Uniform will find Haunted Horses a welcome addition to their lexicon.

The Worst Has Finally Happened continues in the band’s approach to music as a battering ram into the brain, now as a trio with Myke Pelly, Colin Dawson, Brian McClelland (Filth is Eternal, He Whose Ox is Gored). Sounds sway from mechanical heartbeat thumps and the delay-drenched beeping of echolocation radar devices tracking down a potential victim in “Swarms,” to something resembling an alarm signifying Chernobyl-strength a nuclear meltdown in “Thorns.” Everything feels perfectly orchestrated to leave the listener on edge. It’s hard to tell if Haunted Horses’ music is meant for the hunter or the hunted, but either way, it holds on tight, sinks its claws in and doesn’t let up.

TRACK LISTING:

1. House of the World to Come
2. The Garden
3. Pig
4. Window Sung
5. The Worst
6. Swarms
7. Thorns
8. Golden Stairs
9. Cold Machine
10. Severed Circle

MARKETING POINTS:

• Touring history with Lingua Ignota, Portrayal of Guilt, A Place to Bury Strangers, Bambara, and Boy Harsher

FOR FANS OF:
Fans of Einstürzende Neubauten, Swans, Girl Band, Death Grips, The Soft Moon, Street Sects, Ho99o9, & Uniform

All Under Heaven “Don't Suffer Alone / Alley Cat”

CASSETTE - $7.00
STREET DATE: 7/15/22
CAT#: SDR080
LABEL: Sunday Drive

A roaring, dreamy sound is probably not the first thought that would come to mind when thinking of music out of Freehold, New Jersey, but All Under Heaven delivered just this on their 2021 EP, "Collider"—an album that was on constant rotation throughout the year for many. A year later, All Under Heaven is back with their first follow-up EP, consisting of two single tracks, "Don't Suffer Alone" and "Ally Cat".

In the winter of 2022, the band returned to Pennsylvania-based producer, Wyatt Oberholzer to record. The two pick up from where "Collider" left off, this time with more up-front production and with All Under Heaven performing at their best, fresh off of playing many shows in the northeastern area. The band still maintains their signature sound of solemn & soft vocal harmonies, with an excellent backing of dynamic drums and loud, distorted guitars. While being a concise EP, the two songs will get stuck on repeat and paint a picture of the future All Under Heaven is heading in.

TRACK LISTING:

1. Don't Suffer Alone
2. Alley Cat

MARKETING POINTS:

• Featuring members of Shackled
• Produced by Wyatt Oberholzer (Year of the Knife, Fixation, Struck Nerve)

FOR FANS OF:
Starflyer 59, Team Sleep, Title Fight

Instagram | Twitter

Anklebiter "Demo 2022"

CASSETTE - $7.00
STREET DATE: 7/15/22
CAT#: SDR081
LABEL: Sunday Drive

A straight-edge hardcore band from the northeast USA is fairly common, however, in 2022, Anklebiter differs from their contemporaries in 2022 with a refreshing, yet familiar sound. Referencing early-mid '00s hardcore from their region—particularly the sound of Lockin' Out bands like Mental and Righteous Jams, mixed with the modern sounds from Result of Choice and Krimewatch, Anklebiter plays classic loud & fast hardcore.

On their first demo, producer Will Hirst captures Anklebiter's raw and furious energy on every track. While the sound is fast and upfront, the band knows when to pull back to make a balanced, dynamic, and exciting sound. Rachael Braverman's rhythmic, shouting vocals perfectly pair with the band's aggressive, driving sound performed by members Nick Birtles (Pummel), Evan Stein (Broken Vow), and L St. Germain.

TRACK LISTING:

1. Red Tones
2. Talk About Me
3. Not For You
4. My Creator

MARKETING POINTS:

• Featuring members of Broken Vow and Pummel
• Produced by Will Hirst (Restraining Order, Mindforce, Worn)

FOR FANS OF:
Righteous Jams, Mental, Result of Choice

Instagram

Passthru "What Does It Make You Feel?"

LP - $14.00
LP UPC: 3053905982060
STREET DATE: 7/8/22
CAT#: ISO035
LABEL: Isolation

Based in Stockholm, Sweden, Passthru is a five-piece metal band constantly diverging between genres and crossovers. Persistently abusing the thresholds and ignoring rules of the universal ideas of music. Their first LP release "What Does It Make You Feel" dives into a world full of sex, drugs, death, and constant fear of being alone. It is a wrenching, annoying soundscape of pure raw violence. The rawness of the sound was created in the woods of Norrtälje by the hands of the legendary Thomas Skogsberg (Entombed, Dismember, Darkthrone). The eerie darkness of the area contributed to the gnawing noise from sunlight studios that birthed the sound of Swedish death metal, discussions about communism, and his love for rum. "What Does It Make You Feel" makes no sense as much as it does, nothing out of the ordinary exists in Sweden. Both the captivating design by Ridge Rhine (Knoocked loose, seeyouspacecowboy, Wristmeetrazors) and the genius mastering by Audiosiege make the music more chaotic, disgusting, and weirder than it should be.

TRACK LISTING:

1. Password Clementine
2. Sever
3. Hate To Feel
4. Wallow
5. Zero
6. Inside The Shell
7. C-Brain
8. Rinse
9. The Super
10. Dominator
11. In Unison

MARKETING POINTS:

• Recorded and mixed by Tomas Skogsberg (Entombed, At The Gates)
• Mastered by Brad Boatright (Obituary, Nails)
• Artwork by Ridge Rhine (Knocked Loose, Seeyouspacecowboy, Wristmeetrazor)

FOR FANS OF:
Glassjaw, Botch, Converge

Instagram | Facebook

Onelinedrawing "Tenderwild"

LP - $14.65 / CASSETTE - $7.00
LP UPC: 603111749617
CASSETTE UPC: 603111749648
STREET DATE: 6/24/22
CAT #: IOD023
LABEL:Iodine Recordings

Jonah Matranga is no stranger to the scene. He has been making music for over 30-Years and has become somewhat of an institution. A prolific artist who is full of ideas and he straddles the line between the underground and the mainstream cusp. Jonah has fronted the bands FAR, NEW END ORIGINAL, and GRATITUDE and has worked with indie labels like Jade Tree to majors such as Atlantic. His music has been noted as influencing many notable bands ranging from Deftones to Blink-182. Simply put, there is no one quite like Jonah.

Throughout his long career, Jonah has always written from the heart and performed in an intimate way that few others have accomplished like he has, after playing almost 4,000 shows. From basements to massive festivals, he brings the same energy with him — a devoted fanbase, raw honesty, and an interest in making every show unique and personal. This has always been the most apparent in Jonah’s solo and collaborative project performing as onelinedrawing. Jonah’s performance as onelinedrawing has always been about connecting with fans in an intimate setting, where he often performed with only his guitar and his R2D2 side kick.

Tenderwild marks the return of ONELINEDRAWING, which is the first time since 2004’s “The Volunteers” (Jade Tree) that Jonah has used the moniker. This album brought together so many friends and fellow musicians that it only felt right to release it as onelinedrawing. Tenderwild is an uplifting journey that was written an inspired during a chaotic time of healing for Jonah. Contrasting between guitar driven rock songs and heartfelt intense ballads, Tenderwild is a collection of some of the best songs Jonah has ever written. The album features guest appearances from many of Jonah’s close friends, such as: Zach Lind (Jimmy Eat World), Jeremy Tappero (Soul Asylum), Norman Brannon (Texas Is The Reason), Chris Carrabba (Dashboard Confessional), John Gutenberger (Far), and Jake Snider (Minus The Bear).

Tenderwild is an expansive and special album that has something for everyone.

“Onelinedrawing, is a diarist at heart, both in his music and in his daily life, and, man, does he ever rip his heart out and show it to you in his songs. A loose, free-roaming approach to confessional songwriting that pushes his music well beyond the normal sad singer/songwriter clichés.” – PITCHFORK

TRACK LISTING:

1. Get a Dog
2. Tenderwild
3. This is Water
4. Don’t Give Up
5. Serious Question
6. When I Did Drugs
7. Everyday Angels
8. Hell Of A Year
9. What I Know
10. Hello From Here
11. You're A Home

MARKETING POINTS:

• Brand new release from onelinedrawing, the first time in 16 years
• Features guest appearances from: Chris Carrabba (Dashboard Confessional), Norman Brannon (Texas Is The Reason), and Jake Snider (Minus The Bear)
• US/European Tours scheduled for 2022
• Full PR Campaign with Atom Splitter PR

FOR FANS OF:
Jimmy Eat World, Dashboard Confessional, Iron & Wine, The Decemberists

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Graywave “Rebirth”

LP - $14.65 / CD - $6.50
LP UPC: 5060852561086
CD UPC: 5060852561093
STREET DATE: 6/24/22
CAT #: CRR122
LABEL: Church Road

Surfacing from ethereal and dreamier planes, UK shoegaze and dreampop act GRAYWAVE are one of the latest additions to the Church Road Records roster. Following on from their 2021 debut EP proper, Planetary Shift, GRAYWAVE is set to release their second extended play, Rebirth, on June 24. Formed in Birmingham, UK in 2019 as a solo venture and creative outlet for Jess Webberley, GRAYWAVE has already amassed a steady stream of singles and qualitative short form releases - drip feeding fans a highly ambitious and modern take on dreampop and shoegaze’s storied sonic spectrum. Returning in 2022, Rebirth is the most revealing and entrancing look into GRAYWAVE’s evolution as an artist. Trading in some of the lo-fi tendencies of her earlier output, Rebirth sees Webberley embrace darker soundscapes and sonic weight across the release’s five tracks. GRAYWAVE’s latest effort is a confident seizing of identity and assured meeting point for the project’s initial potential and newfound blossoming. Opener, Build, and Rebirth’s title track rattle with rhythmic unease and confrontation, as Webberley’s voice drifts between somnolent hypnosis and arresting command. Elsewhere, Closer and Exoplanet effortlessly tie together 90s influence in the vein of Cocteau Twins and Drop Nineteens with a modern touch similar to US contemporaries Citizen. Following their recent union with Church Road Records, 2022 will see GRAYWAVE continue to shine across the UK live circuit. Having already sold out hometown shows, as well as getting through to the latter stages of the Isle of Wight Festival’s ongoing musical showcase that offers a spot on the festival’s New Blood stage, and performing with UK hardcore upstarts Cruelty. Living up to its name, Rebirth is already proving to be a fruitful time of growth for Webberley and GRAYWAVE’s creative self-actualisation - offering fans new and old the most conceptually realised iteration of the project’s limitless avenues of artistic promise yet.

TRACK LISTING:

1. Build
2. Rebirth
3. Exoplanet
4. Red
5. Closer

FOR FANS OF:
Emma Ruth Rundle, Citizen, Drab Majesty

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Leaving Time "II"

CASSETTE - $7.00
STREET DATE: 6/24/22
CAT#: SDR079
LABEL: Sunday Drive

For many years, the music from Florida has been known across America, thanks to the thriving hardcore scene throughout the state, plenty of bands and projects, and previous & contemporary labels like IOU Records, From Within Records + more who have supported and given the bands a platform. Leaving Time is a current band whose name seems to be a gem to locals and to others who have discovered their 2021 self-titled EP released on Tiger Records, a local record store in Jacksonville.

Formed in 2020 while members Joel Cedeno, Nick Dilts, Jarod Whalen, and Reed Cothren previously & simultaneously played in bands True Form, Method of Doubt, and more—Leaving Time sonically stands out from the aforementioned. Taking inspiration from the notable '90s alternative-rock and shoegaze sound, Leaving Time adds much of their own to the sound. Subtle nuances like the whirling guitar leads and hardcore-inspired drums give each song a driving punch, taking the singular "shoegaze" descriptor out of the picture. On EP II, the band again connected with Gainesville producer, John Howard to write some of their best songs to date. Pushing the sound heard on their S/T, EP II finds the band coming to form.

TRACK LISTING:

1. End
2. RDO
3. Part II
4. Slip

MARKETING POINTS:

• Featuring members of True Form, Method of Doubt

FOR FANS OF:
Smashing Pumpkins, The Cure, Swervedriver, Slowdive, Title Fight

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Converge "Bloodmoon: I"

2xLP - $18.15 / CD - $9.60
2xLP UPC: 723314783970 / 2xLP Indie UPC: 723314783987
CD UPC: 045778777020
STREET DATE: 6/24/22
CAT #: DW236
LABEL: Epitaph / Deathwish Inc.

“We wanted to do something grander than the typical four-piece Converge music.”

That’s Converge vocalist Jacob Bannon talking about the seed of inspiration that eventually bloomed into Bloodmoon: I, the new collaborative album created by the legendary hardcore band alongside dark songstress Chelsea Wolfe, her bandmate/writing partner Ben Chisholm and Cave In vocalist/guitarist Steve Brodsky.

“I’ve been a fan of Chelsea and Ben’s work for some time,” Bannon says. “I bought the Apokalypsis record from Aquarius Records in San Francisco, and Ben and I started communicating here and there. He had roots in this world of music, so it started to make sense that we could all work together in some way.”

“Ben introduced me to Converge when we started playing music together in 2009,” Wolfe says. “A couple of years later, we saw that Converge had put Apokalypsis on a year-end list, so we were totally fanning out about that. When they reached out to Ben about performing some Converge songs with new arrangements, I said, ‘I want in on that...’ And it seems like they were happy to have me along.”

Fast forward to a 2016 European tour and a rapturously received appearance at Roadburn that saw all seven musicians performing revamped Converge material. Overnight, what had started as a mutual admiration society had become one of the most formidable musical constellations in recent memory. “We felt like there was enough energy in the live collaboration to actually create new music together,” Converge guitarist and Bloodmoon: I producer Kurt Ballou explains. “It just took a few years to free up the time to get together.”

The musicians descended upon Ballou’s God City Studios in Salem, Massachusetts, to work on material in late 2019. Future sessions were planned for 2020, but then the pandemic hit. The rest of Bloodmoon: I was recorded remotely, though you’d never know it. “I wanted a record that breathed like a band playing together in a room, even if it wasn’t possible during this time period,” Ballou says. “It feels like we achieved that.”

Harrowing and atmospheric, triumphant and melodious, Bloodmoon: I is Converge as you’ve never heard them before. It’s Chelsea Wolfe and Ben Chisholm as you’ve never heard them before. It’s Steve Brodsky as you’ve almost never heard him before—after all, he was a member of Converge in the late ’90s and played bass on 1998’s When Forever Comes Crashing.

“It’s been a real treat to see one of my favorite bands continue to do cool stuff and break the molds of what’s considered hardcore and punk,” Brodsky says of Bloodmoon: I. “It’s a very rare thing in this kind of music to go an experimental route and challenge the quote-unquote ‘rules’ of what’s been laid out beforehand—and do it successfully.”

As Bannon points out, Bloodmoon: I has been a long time coming—longer, even, than the 2016 shows would indicate. The members of Converge—Ballou, Bannon, bassist Nate Newton, and drummer Ben Koller—tipped their hand ever so slightly with the release of 2009’s Axe To Fall, which featured a lengthy list of guest musicians, including members of Neurosis, Entombed, and Genghis Tron—not to mention Brodsky and some of his Cave In bandmates.

“Kurt and I have been talking about trying to do something more collaborative even prior to the Axe To Fall album,” Bannon reveals. “For years, there was talk of doing ‘Con-Cave’ or ‘Verge-In,’ a Converge and Cave In supergroup, and some versions of those songs ended up on Axe To Fall. But this is different.”

Thrilling in its apocalyptic grandeur, Bloodmoon: I is a collaborative work in every way—to the point where Wolfe, Bannon, and Brodsky found themselves writing lyrics for each other. “That’s one of the keys to the album,” Ballou points out. “Sometimes when there’s a collaborative group, it just sounds like such-and-such a person doing the thing they do in their band while the other people are doing the things they do in their bands. So for Jake to write lyrics for Chelsea or for Chelsea to write lyrics for Steve, it forces each person to approach the vocals in a way that’s unique to the project.”

Holding down the fort at GodCity while tracks came in from across the country, Ballou and Bannon were often surprised by the songs Wolfe chose to sing on. “I was surprised as well,” she confirms. “The project stretched my vocals in new ways. It’s so different than what I normally sing over that I was able to open up and be vulnerable with my vocals. I feel like I also heard that with Jake and Steve. It became one of the most fun recording experiences I’ve had in a long time.”

“As someone who’s been making loud music with the same guys for a long time, adding new elements to what we’re doing and having a new version of the band is very exciting,” Bannon enthuses. “Our dynamics are pushing and pulling in all different directions on this record, and I find that to be creatively rewarding.”

Indeed, the more hectic and seemingly Converge-esque material like “Lord of Liars” or the Cave In-like “Failure Forever” quickly veer into unexpected territory as Bannon trades vocal parts with Wolfe on the former and Brodsky on the latter. And even those tracks are outliers on an album that can’t be pinned down as the work of any one of its creators. Epic opener “Blood Moon” and the profoundly haunting “Coil” might be the best examples of this. They mark an indelible and climactic collision of artists working at the height of their collective powers.

“With a project like this, egos could have really flared up,” Brodsky says with a laugh. “But I feel like everyone just kept the music in mind and wanted to do what’s best for the song. We’ve all done this enough to know that if we don’t get our way every time a decision needs to be made, we’ll be okay. We’ll get our time in the sun at some point.”

“It’s hard to find new ways to be creative, but I think we’ve been good at sort of forcing ourselves to do that,” Ballou says. “And this project is no exception. Getting Steve and Chelsea and Ben to contribute with us, we were kind of playing musical Cupid with all of them. But we had a feeling that if we got this group of people together, something powerful would come out of it.”

First Press:
100 - Clear (Friends and Family Exclusive)
300 - Red / Black Mix (Deathwish Exclusive)
300 - Blue / Black Mix (Converge Exclusive)
500 - Black / Red / Neon Violet Mix (Chelsea Wolfe Exclusive)
500 - Clear / Navy Cloudy (Revolver Exclusive)
1000 - Red / Blue Mix
1000 - Black / Red / Blue Mix (Newbury Comics Exclusive)
1650 - Navy w/ Red & Orange Splatter (Epitaph Exclusive)
4000 - Black / Navy / Neon Purple Mix (Indie Exclusive)

∞ x Transparent Red / Transparent Blue

TRACK LISTING:

1. Blood Moon
2. Viscera of Men
3. Coil
4. Flower Moon
5. Tongues Playing Dead
6. Lord of Liars
7. Failure Forever
8. Scorpion’s Sting
9. Daimon
10. Crimson Stone
11. Blood Dawn

MARKETING POINTS:

• Features Chelsea Wolfe, Stephen Brodsky & Ben Chisholm
• Vinyl features a gatefold jacket, printed o-card w/ die cut, printed inner sleeve and 24" x 24" poster

FOR FANS OF:

• Chelsea Wolfe, Cave In

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Speed "Gang Called Speed"

12"EP - $14.00 / CD - $10.70
12"EP UPC: 603111751115
CD UPC: 603111751122
STREET DATE: 6/24/22
CAT#: FSR61
LABEL: Flatspot

With a mission in mind, SPEED are setting out to put Australian hardcore on the map. Formed in 2019, the Sydney-based band have a no holds barred approach and enticing sound that make them standouts in the genre. Composed of vocalist Jem, bassist Aaron Siow, guitarist Josh Clayton and Dennis Vichidvongsa and drummer Kane Vardon, SPEED showcase a tough exterior, but amplify their sense of identity and community in everything they do. Following the release of their demo in 2019, the band teamed up with U.S. label Flatspot Records for a two song EP in 2020 and they’ll join forces again for Gang Called Speed, set for release later this year. Recorded with Elliott Gallart at Chameleon Studios, the six songs on the EP are centered around recognizing who you are in this world, taking ownership of that identity and not letting anyone tell you otherwise. Drawing influence from old school acts like Biohazard and Merauder just as much as bands like Trapped Under Ice, the band are putting forth pit-ready music that make it surprising they’ve only been able to play a handful of shows since their formation. That won’t last for long though as they have more performances planned, and with a new EP on the way, SPEED are positioned to make 2022 their biggest year yet.

TRACK LISTING:

1. Not That Nice
2. Another Toy
3. Move
4. Big Bite
5. Every Man For Themself
6. Know Your Foe
7. We See U *
8. A Dumb Dog Gets Flogged *
9. Devil U Know *
10. Shut It Down *
11. Burn Straight Thru U *
12. Real Sick *
13. Everybody Bleeds *

14. Die In The Dark *

15. CD Bonus Track

MARKETING POINTS:

• 12” from one of the most promising new hardcore/punk bands
• Can appeal to not only the Hardcore crowd but also Punk and Metal demographics too
• Has shared the stage with Terror, No Apologies, Regulate, Malevolence, and many more.
• Recorded and mixed by Elliot Gallart at Chameleon Studios (Primitive Blast, Justice For The Damned, Death Bells)
• Will be playing the US for the first time at this years Sound & Fury Festival
• First LP Vinyl release for the band

FOR FANS OF:
Madball, Biohazard, Trapped Under Ice

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Attempt Survivors “Educated Hips”

7"EP - $7.00
7"EP UPC: 047338063253
STREET DATE: 6/10/22
CAT #: IOD28
LABEL: Iodine

“All art is a kind of confession, more or less oblique,” James Baldwin argued when it came to the latter. “All artists, if they are to survive, are forced, at last, to tell the whole story; to vomit the anguish up.”

And this, more than anything, is the feeling that the music of Attempt Survivors evokes: A fuller story and sound, actualized through decades of separate preparation in a series of groundbreaking bands. (Go ahead and check that curriculum vitae: Helmet, Errortype: 11, Instruction, Saetia, Six Going on Seven, Big Collapse, Fires.)

These diverse, nuanced post-post-hardcore songs are, essentially, a conversation between four individuals who have put in the Gladwellian ten thousand hours—and then some, if one counts overnight tour van journeys!—to develop the vocabulary necessary to have it. There are shades of recognizable precursors—80s goth, burly AmRep groove, expansive 70s rock, 90s emo—but the dialect is its own. And within this unique dialect there is a fluency which allows for flow; that prevents the second-guessing, analytical left brain from fucking up the intuitive rhythm of the desperate-to-transcend right brain. (A good thing, too, considering the piecemeal, long-distance approach to collaborating mature living and a world-halting pandemic necessitated!)

Attempt Survivors is the sum of the many, many survivals of vocalist J. English, guitarists Adam Marino and Matthew Kane, and drummer Kyle Stevenson—surprising, in the best possible way, for those familiar with the aforementioned current/former bands, but not out of character.

“We’re only going to be on this star for a few minutes,” English says. “Let’s contribute something —make cool stuff. I want to leverage everyone’s lifetime of musical experience, hopefully wind up with something we’re collectively jazzed on, maybe not repeat the same mistakes? We can write a cool riff or steal a cooler one. Let’s see what happens. Just because we’re alive. That is the intention—to create something new out of love. Keep each other honest and pushing. If we’re on borrowed time — let’s make up some killer stuff & send it into the ether”

It is futile to try to make life or bands last forever, but these ripples from the still-beating heart of Attempt Survivors ably demonstrate the beauty of imbuing moments with meaning and keeping on keeping on straight until an end that need not be bitter if you live right along the way.

TRACK LISTING:

1. Educated Hips
2. Follow Me Chaos

MARKETING POINTS:

• New supergroup featuring members of HELMET, SAETIA, and SIX GOING ON SEVEN
• Debut release
• Tours and Festival appearances planned for 2022

FOR FANS OF:
Quicksand, Fugazi, Hum, Jawbox, Helmet, At The Drive In

Instagram | Facebook

ZOUS "No Ground To Give"

LP - $17.25 / CD - $7.50
LP UPC: 196006382926
CD UPC: 196925039345
STREET DATE: 6/10/22
CAT#: CCA089
LABEL: Closed Casket Activities

Plunging the depths of death metal with hardcore intensity, Zous resembles a cataclysmic event—all by the design of one man. Vocalist, producer, mixer, engineer, and multi-instrumentalist Taylor Young pours intense focus into an unshakable sonic architecture rooted in technical proficiency and pit-splitting brutality. After a successful demo release earning acclaim from Decibel, Metal Injection, and more, he delivers a deadly and dynamic vision on the band’s 2021 Mini-LP, No Ground To Give [Closed Casket Activities/Maggot Stomp].

“I love classic death metal that almost sounds like hardcore,” he explains. “This is something I’ve always wanted to do. I had a long time to think about how I hoped it would sound, and now the project has an aesthetic of its own.”

In the middle of the Global Pandemic, he finally carved out the time to pursue his initial ambition. Taylor first introduced Zous via the Pandemicon EP, which he wrote, recorded, and finished in less than a week. Physical copies and merch quickly sold out as the music piqued tastemaker interest. Decibel promised, “ZOUS will hold instant appeal to old-school devotees.” Throughout 2021, he crafted what would become No Ground To Give.

This time around, he increased the energy all-around.

“I wanted to make it a little more technical—up the tempos, more blast beats, and faster riffs,” he goes on. “There are some newer and meaner elements.”

The first single “Stepped On” charges forward on steamrolling double bass and gnashing guitars. Taylor’s growls deliver a gut punch offset by a shrill scream courtesy of Brad Boatright (who also mastered the record) and noise from Full of Hell’s Dylan Walker. “It’s a direct response to the George Floyd tragedy,” he admits. “I hated the idea someone would get upset over rioting in response to such a fucked-up thing. If you’re stepped on long enough, you’re going to fight back.”

Elsewhere, Takafumi Matsubara [Gridlink] tears through a head-ripping solo on the opener “Coup de Main,” while Leon del Muerte, guitarist of too many bands to count, makes an explosive appearance on the hammering “Authoriticon.” It all culminates on the death metal supernova of “Event Horizon.” After covering Autopsy’s “Torn From The Womb” on Pandemicon, Taylor joins forces with Autopsy singer/ drummer and death/doom pioneer Chris Reifert who provides guest vocals on a cathartic and caustic finale cast in flames of distortion. “Having Chris on ‘Event Horizon’ is one of the biggest milestones I’ve had musically,” he goes on. “I’ve been listening to him for half of my life. We traded records and became friends. The track just kind of happened afterwards. The dynamic was really relaxed and fun.”

Vinyl comes package in a tip-on lp jacket, complete with the No Ground To Give EP on Side A and the Pandemicon EP on Side B

TRACK LISTING:

1. Coup De Main
2. Pray A Lie
3. Stepped On
4. Authoriticon
5. Event Horizon
6. Intro
7. Pandemicon
8. Hench
9. Wasteland
10. Torn From The Womb

MARKETING POINTS:

• Packaged in a Tip-on lp jacket
• Written, performed, engineered, produced and mixed by Taylor Young of The Pit Recording Studio (Twitching Tongues, Criminal Instinct)
• Guest appearances from Takafumi Matsubara (Gridlink),Dylan Walker (Full of Hell, Sore Dream, Collapsed Skull), Brad Boatright (From Ashes Rise), Leon Del Muerte (Nausea, Impaled, Exhumed, Murder Construct), Chris Reifert (Autopsy, Abscess, Static Abyss)

FOR FANS OF:
Strictly Death Metal

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Collapsed Skull “Eternity Maze”

7"EP - $7.00
STREET DATE: 6/10/22
CAT#: CCA093
LABEL: Closed Casket Activities

Collapsed Skull is a dizzying bass and drum hardcore attack from the east coast (feat current and former members of Full of Hell, Jarhead Fertilizer). With revenant nods to their west coast forebears, thundering bass wars against other-worldly shrieks, blasting drums, chopped hip hop samples and broken machine stutters. Their debut EP, Eternity Maze, is a hard look at the classist power structure in American society and the ritualistic abuse of those in power. It's an endless cycle, a dead end maze. The illusion is that there is a way out.

TRACK LISTING:

1. Collapsed Skull
2. A Hundred Spears
3. Endless Warring Streets
4. Pigs one the Hunt
5. Eternity Maze
6. Bone Fragments
7. Forest Siege
8. Lamb with Knife
9. Scaling Genocide
10. Anomalous Ruin
11. Illusory Infrastructure

MARKETING POINTS:

• Features members of Full of Hell and Jarhead Fertilizer

FOR FANS OF:
Man is the Bastard, Gasp, Hatred Surge, Despise You, Hatred Surge

Lowlife "Endless Punishment"

LP - $17.25
STREET DATE: 5/27/22
CAT#: TG057
LABEL: Twelve Gauge

Lowlife, Northern California hardcore mainstays of the 90s and 2000s, are ready to unleash Endless Punishment! After years in the Oakland Brand Hardcore vault, this long awaited LP is available now on vinyl from Twelve Gauge Records for the first time since it was recorded in 2003 at the legendary Plant Studios in Sausalito, CA. Remastered in 2021 by Dan Randall of Mammoth Sound Mastering in Portland, Maine, Endless Punishment is an auditory assault of hardcore fury, full of the signature grizzly vocals, crushing riffs, and pounding double bass Lowlife is known for, and has everything any fan of brutal, metallic hardcore could ask for.

TRACK LISTING:

1. Left With Nothing
2. Forgotten Pride
3. My Will
4. Entrenched
5. Endless Punishment
6. Ruckus
7. World On Fire
8. Wrath of a Nation
9. Our Way (Bulldoze)

MARKETING POINTS:

• First time pressing and release of an almost 20 year old record
• Limited to just 200 records

FOR FANS OF:
Bulldoze, 100 Demons, Earth Crisis

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